Milford Graves Full Mantis

August 1-2 Only! 

Ragtag Cinema is teaming up with The Columbia Experimental Music Festival, October 5-7, 2018, to present two screenings of this acclaimed new doc.

After the screening on Thursday, Aug. 2, head over to Hitt Records for an improv trio: gonzo experimenter Bob Bucko Jr on sax (Iowa), St. Louis’ Alex Cunningham on violin and Alberto Patino on drums. (Concert is free, but donations are encouraged for the touring band)

Milford Graves Full Mantis is the first ever feature-length portrait of renowned percussionist Milford Graves, exploring his kaleidoscopic creativity and relentless curiosity. Graves has performed internationally since 1964, both as a soloist and in ensembles with such legends as Albert Ayler, Giuseppi Logan and Sonny Sharrock. He is a founding pioneer of avant-garde jazz, and he remains one of the most influential living figures in the evolution of the form.

Milford Graves is lauded as a master drummer of the 1960s avant-garde jazz scene, credited with inventing the martial arts form yara, and is established as both an herbalist and acupuncturist in New York City. Additionally, Graves is a passionate researcher of human biology and brings that knowledge to all of his work.

The film draws the viewer through the artist's lush garden and ornate home, into the martial arts dojo in his backyard and the laboratory in his basement — all of this just blocks from where he grew up in the housing projects of South Jamaica, Queens. Graves tells stories of discovery, struggle and survival, ruminates on the essence of 'swing,' activates electronic stethoscopes in his basement lab to process the sound of his heart, and travels to Japan where he performs at a school for children with autism, igniting the student body into an ecstatic display of spontaneous collective energy.

Oscillating from present to past and weaving intimate glimpses of the artist's complex cosmology with blistering performances from around the globe, Milford Graves Full Mantis is cinema full of fluidity, polyrhythm and intensity, embodying the essence of Graves' music itself.

"A dynamic, nuanced portrait that pulses with energy. The film plays like a ninety-one-minute private lesson from Graves himself." (Geeta Dayal, 4Columns)